All three full-sized prints.

18x28” individual, 28x54” triptych.
High quality print of mixed media (paper collage, India ink, graphite, pen and ink) on museum board.

My art practice is deeply shaped by my background in architecture. I often draw on the tools and methods from architecture school; linework, spatial thinking, and a focus on environmental questions all play a central role in how I build an image.

This piece leans especially into that influence. A more monochromatic composition is interrupted by yellow trace paper (an architectural sketching staple) amplified through hand-drawn hatching in the same tone. From a distance, the texture nearly disappears; up close, it reveals a subtle accumulation that speaks to time and collectivity.

Traditionally, this kind of hatching appears in black, marking a cut through solid mass or ground plane. Here, that logic is inverted: the yellow becomes something lighter, almost suspended, floating within the grit and structure that surrounds it.